front cover of Dignity
Dignity
Its History and Meaning
Michael Rosen
Harvard University Press, 2012

Dignity plays a central role in current thinking about law and human rights, but there is sharp disagreement about its meaning. Combining conceptual precision with a broad historical background, Michael Rosen puts these controversies in context and offers a novel, constructive proposal.

“Penetrating and sprightly…Rosen rightly emphasizes the centrality of Catholicism in the modern history of human dignity. His command of the history is impressive…Rosen is a wonderful guide to the recent German constitutional thinking about human dignity…[Rosen] is in general an urbane and witty companion, achieving his aim of accessibly written philosophy.”
—Samuel Moyn, The Nation

“[An] elegant, interesting and lucid exploration of the concept of dignity...Drawing on classical, liberal and Catholic traditions, Rosen hopes to rehabilitate dignity to its rightful place near the centre of moral thought...Rosen's admirable book deserves wide attention from political theorists, jurisprudes and political philosophers.”
—Simon Blackburn, Times Higher Education

Dignity deserves to be widely read, not only for its intrinsic interest, but also as a corrective to the habit of discussing such topics in abstraction from their social context. Whether or not one agrees with Rosen's arguments, there can be no doubt he has widened our horizons.”
—Rae Langton, Times Literary Supplement

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Every Species of Hope
Georgics, Haiku, and Other Poems
Michael J. Rosen
The Ohio State University Press, 2017
In his first book of poetry in twenty years, Michael J. Rosen captures life in the foothills of the Appalachians. Every Species of Hope: Georgics, Haiku, and Other Poems uses a variety of poetic forms, as well as Rosen’s own pen-and-ink drawings, to give voice to the predicaments of living among other creatures who share a plot of land we think we claim as home. The poems are an attempt at homeostasis: that balancing act every creature works at every hour of every day—a way of living peacefully, expending the right energy in the most productive ways, avoiding or deflecting trouble, gravitating toward sources of fulfillment and contentment.
 
At the center of this book is a suite of poems inspired by Virgil’s Georgics, or “poems of pastoral instruction.” In Rosen’s case, he is more the student than the teacher. Likewise, five short sections of haiku continue his meditation on—or mediation of—art and nature. As he has written, “Haiku provides a brief and mirror-like calm in the choppy waters—in the undertow—of current events: a stillness in time where more than our singular lives can be reflected.”
 
 
Illustrated with two dozen pages from the author’s own journal, Every Species of Hope is the consummation of decades of observation, humility, and awe. 
 
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A Mile and a Half of Lines
The Art of James Thurber
Michael J. Rosen
The Ohio State University Press, 2019
Humorist, cartoonist, writer, playwright. James Thurber was to the twentieth century what Mark Twain was to the nineteenth. At one point, his books were the most read of any American in the world. His work could be found anywhere—from the pages of the New Yorker to the pages of children’s books, from illustrated advertisements to tea towels and dresses. Now, in celebration of the 125th anniversary of Thurber’s birth, A Mile and a Half of Lines: The Art of James Thurber is a long overdue introduction and reintroduction to James Thurber and the artwork that fundamentally changed American cartoons. 
 
Including some 260 drawings, this collection is the first comprehensive focus on his work as an artist, a cartoonist, and an illustrator. With commentary from a host of preeminent cartoonists and writers, including Ian Frazier, Seymour Chwast, and Michael Maslin, A Mile and a Half of Lines celebrates the significance of Thurber’s spontaneous, unstudied, and novel drawing style that not only altered the nature of American cartooning but also expanded the very possibilities of an illustrated line. Coinciding with the first major retrospective of Thurber’s art presented by the Columbus Museum of Art in 2019, A Mile and a Half of Lines showcases both classic Thurber as well as visual material never before seen in print.
 
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On Voluntary Servitude
False Consciousness and the Theory of Ideology
Michael Rosen
Harvard University Press, 1996
Those who approach the history of political thought must pick their way through a veritable elephant’s graveyard of grand theories. This book is aimed at one of the oldest and grandest of them all: the theory of ideology. The Age of Grand Theory has only recently ended, yet it is already hard to recall how many unquestioningly believed in the idea of ideology as false consciousness, most notably in Karl Marx’s version of that idea. Michael Rosen diagnoses the underlying question to which the theory of ideology was meant to provide the answer: “Why do people accept forms of political domination which it is against their interests to accept?” This book provides a historical and critical analysis of that answer and of the way in which it came to be taken for granted in social theory.Rosen’s post-mortem makes it clear that Marx was never able to develop an adequate theory of ideology and that recent attempts at reconstructive surgery on what he did give us, by G.A. Cohen and Jon Elster, have been unsuccessful. However, by putting Marx into a history that runs from Plato and Augustine to Benjamin, Adorno, and Habermas, Rosen shows that, though Marx may have failed, the rationalist tradition on which he drew is far from dead—that it is, in fact, the dominant tradition in Western political thought, with very few effective dissenters.This is a very rich and wide-ranging book in the history of ideas, written with philosophic rigor and great clarity.
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